"Genie" is the English
term for the Arabic "jinni". In pre-Islamic Arabian mythology and in Islam,
a jinni (also "djinni" or "djini") is a member of the jinn (or "djinn"), a
race of spirits.
The jinn
are said to be creatures with free will, made of smokeless fire by God, much
in the same way humans were made of earth.
The
jinn are assumed to be living in what can be described as a "parallel
Universe" within our space and time on Earth, they have communities much
like human societies, they eat, marry, die etc. But they also, according to
mythology, have supernatural capabilities such as invisible cloaking,
instantaneous teleportation, ability to shape-shift and even space travel.
Also they can see us, yet we cannot see them. However, sometimes they let
their guard slip or deliberately come into view; they offer an alternative
explanation to sighting of aliens, ghosts, U.F.O.'s, ghouls, shape-shifters
and other unexplained paranormal phenomena.
In Islam-associated mythology, the jinn were said to be controllable by
magically binding them to objects, as Suleiman (Solomon) most famously did;
the Spirit of the Lamp in the story of Aladdin was such a jinni, bound to an
oil lamp.
The bottle used to create Jeannie's home
is actually
a 1964 Jim Beam decanter, a special bottle design used by Jim Beam to
help sales around Christmas time. The bottles came in a gold foil
box prominently displaying an artists rendition of the bottle, and it
was hoped that they would be purchased by the public as Christmas gifts.
The bottles themselves were manufactured by the T. C. Wheaton Company of
Millville, N.J., founded by Dr. Theodore C. Wheaton in 1888.
Jim Beam President, Martin Lewin saw a
similarly shaped bottle during a trip to Germany. When he returned
he asked Wheaton Glass if they could come up with something similar.
Conceptual artist Jack Becker drew the first bottle designs that were
later placed on the foil box. The drawings were then given to
bottle sculptor, Roy Cramer, who crafted the now famous bottle design.
The true facts of how the bottle came to
be used on the show were shrouded in mystery for many years. We
have since learned that Gene Nelson, director of 10 episodes in the
first season was the man who found the bottle and brought it to the
Screen Gems art department to be painted as Jeannie's bottle.
With the first season of the show being shot in black and white, the
art department would require a design that would allow the uniqueness of
the bottle to be captured on film.
It was decided that a
contrasting gold paint would be used on the bottle's natural dark color.
Vines and leaves painted in gold were placed on middle and neck of the
bottle, while the unusual reversing tear shaped designs on the bottom
bell of the bottle would be painted solid gold, giving us what is now
referred to as the First Season Golden Vines bottle.
In the series, the bottle's original
stopper was left on the beach where Maj. Nelson found Jeannie, but who
else but a genie would want a bottle without it's stopper?
With need of stopper to keep
his new found genie contained, Maj. Nelson grabbed a stopper
from his bar to cork the bottle. The stopper he grabbed
was from a 1956 Old Grand Dad liquor bottle. The stopper
was a unique tri-angled glass and cork stopper.
These bottles & stoppers were
in high demand and had fetched as much as $495 for the stopper
alone at one time, but over the years, as more and more
"serious" collectors found their stoppers and since I introduced
my resin replicas, the demand for original glass stoppers has
waned. Most go unsold on eBay as sellers who recently
found them have missed the party and are still hoping for that
big "pay day".
As color filming became available in 1966, it was decided that the
contrasting bottle was no longer needed, so Jeannie's home got an
extreme home make
over. Bob Purcell, an artist at Screen Gems was brought in to create the now famous design
for the second season bottle.
The design consists of a series of
interlacing arches that go around the middle and neck of the bottle.
The interiors of these arches are filled with gold and display a diamond
design at the top.
Although the original designs and
colors list the bottle's base coat as mulberry, the bottle shown in the
TV episodes looks more like a metallic purple. Jeannie bottle
artists have deviated from "established" color codes based on personal
preference and/or a desire to create bottles that look like what they
saw on TV.
There is a common misunderstanding about the serial numbers on the
bottom of each bottle. All of the 1964 Jim Beam decanters come
with a series of numbers that are identical to each bottle, all except
for one, the last number.
The serial numbers for all bottles start out with
the same set up number (D-334-119-64).
D-334 is the customer permit number.
The first 1
represents an internal factory number.
Then comes the year of manufacture ... 1964.
The final number is called a cavity number.
This refers to the number of the mold used to cast the bottle.
They range from 1 to 16. Some cavity 1 bottles were actually cast
from two different #1 molds. You can tell the difference in how
the number one is formed.
A total of 16 cavities were used in the production of these bottles,
although cavity 16 bottle are extremely rare and next to impossible to
find and
it is estimated that 500,000 - 600,000 bottles were produced. No
exact number has ever been discovered. There is a great deal of debate as to which cavity number is more
"valuable" or rare. I can tell you from personal experience buying
and selling these bottles that in my opinion, cavity numbers 9, 10, and
11 come up very rarely. I find number 1, 2, and 3 bottles all the
time, they aren't so rare as some sellers would like you to think.
'I Dream of Jeannie' is a
copyrighted trademark of Sony Pictures Entertainment and Columbia Pictures
Television. 'I Dream of Jeannie' is a Sidney Sheldon
Production in association with Screen Gems. No
infringement of any trademark or copyright is intended or should be implied.
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